Final batch of pictures from our Japan trip, these from Kyoto, the cultural capital of Japan.
On our first day, we went off to Kiyomizu-dera, a temple first built in the late eighth century but whose present buildings date from the seventeenth. On the way, we encountered a hillside full of bedecked Buddhas.
Before the actual temple precincts, we went into the Tainai-meguri, by which one symbolically enters a boddhisatva’s womb. What this means in reality is that you put your shoes in a plastic bag, then descend a stone staircase into a narrow, low-ceilinged passageway that is completely black. There’s a worn-smooth railing on the left, which you are instructed to hold at all times, as it’s the only way to figure out which way you’re going. And since the passage makes several 90-degree turns, if you let go of the railing you will almost certainly walk face-first into a stone wall.
I didn’t get a photo of the entrance, but someone else did.
It was a bit unnerving, but also genuinely womb-like (I guess). It feels like you are really, really deep underground, but of course you’re not. After a minute or two, you emerge into a small chamber with a dim light shining on a prayer wheel, which you can spin before heading up the stairs back into the light. Pretty awesome!
And here’s the temple itself, along with the requisite cherry blossoms. The day was rather overcast and so the colors got washed out a bit, but even still it’s all stunning.
There was evidently some kind of ceremony going on while we were there.
There were lots of Japanese there taking advantage of the various fortune-telling options and good-luck rituals.
We then walked down a couple of charming old streets (Sannen-zaka and Ninen-zaka) crowded with old wooden houses, shops, and people. We also encountered a trio of maiko (apprentice geishas). Cate thinks they were there for the tourists, but I insist, based on wishing-makes-it-so, that they were authentic. (I’m just saying, they weren’t selling anything, or even posing for pictures with anyone, apart from one imperious guy who clearly embarrassed the hell out of them [N.B.: I wasn’t that guy].)
And now a brief interlude of atmospheric images.
And some photos of the cherry blossoms.
Nishiki Market was an unexpectedly cool place: lots of food, crafts, and other fun stuff all under this awesome Lite-Brite roof.
Okay, now a brief foray into food.
I will close with another peaceful image, preceded by the warning we encountered nearby. I just love the “and so on” at the end. It’s like the ultimate legal disclaimer. “Look, we covered that clearly in the contract! See Section 1.4, which clearly states ‘in case and so on’.”
You know that awesome scene in Lost in Translation when ScarJo goes to Kyoto and witnesses a bunch of events and images that clearly illustrate for us, the viewers, just how alienating is the life she is temporarily leading in Japan while waiting for her ambitious-but-clueless photographer husband to stop flirting with vapid celebrities?
You know, where she walks from stone to stone at a temple? Here are the actual stones. Whoa.
3 responses to “Japan: Kyoto”
let’s enjoy everyone!
Very very pretty! It looks like you had a really good time and saw many interesting things! I’m sorry to inform you that the three “maiko” you saw were merely tourists dressed as maiko, the studios (called Henshin studios, Henshin meaning “transformation”) Do a very good job (depending on how much the patrons pay) but by law they are required to get a few things wrong, if you would like, I would be happy to tell you the things this particular studio got wrong. Nonetheless, the pictures you took of them are very interesting and beautiful ^^
I wish I could say that I was required by law to get a few things wrong, but nope, it’s just my own doing. Cate will be happy to hear that she’s right, and they weren’t real maiko. And of course I’d love to know what the tell-tale wrong elements are!